In an ambitious turn, Dan Grote reviews not one, not two, not even three, but FOUR Secret Wars tie-ins this week. read on, True Believers...
X-Men ’92 #2
Story: Chad Bowers and Chris Sims
Art: Scott Koblish and Matt Milla
When we last left the X-Men of the ’90s, ’00s villain
Cassandra Nova (or more accurately the Shadow King possessing Nova’s body) had
them hooked up to machines, trying to cure them of their violent tendencies.
And so we get that lovely trope of characters being shown their deepest desires
and innermost demons while being psychically manipulated.
Wolverine goes first, because of course he does. Logan’s
sequence is an exercise in seeing how many Easter eggs can dance on the head of
a pin, as he wrestles first with a cadre of his then-greatest non-Sabretooth
foes – Lady Deathstryke, Cyber, Silver Samurai, Omega Red and Viper – then with
every version of himself that was ever made into an action figure, from
first-appearance Wolverine with the whiskers on his cowl to Uncanny X-Force
Wolverine with the black-and-gray costume. And at the end they all hug. For
serious.
However much they’re paying artist Scott Koblish, it isn’t
enough. Given the number of cameos, throwbacks and downright homages –
especially in the Wolverine section – Koblish spends the entire issue playing
chameleon, mimicking the designs of John Byrne, Barry Windsor-Smith, Chris Bachalo,
Joe Madureira and others, many times in the same panel.
As Nova makes her way through the team her motivations
become a bit clearer. The Shadow King-powered Nova is in touch with the psychic
energies of everyone on Battleworld, including the X-Men of other realities,
nearly all of which are much darker (Age of Apocalypse, House of M, Inferno,
etc.). She claims if she doesn’t turn the X-Men of Westchester into a patch of
peaceful vegetables, the same fate will befall their domain.
“I’ll die before I see the Thors place a ‘suggested for
mature residents’ sign outside Westchester,” she tells Storm, once again
winking so hard at the reader as to risk being stuck with permanent Popeye face.
While the X-Men are trapped in Nova’s Clear Mountain,
another team of mutants is trying to track them down to rescue them. If the
X-Force at the end of this issue – Cable, Domino, Bishop, Archangel, Psylocke
and Deadpool – would have appeared together on the original Saturday morning
cartoon, 13-year-old me would have lost it (and possibly asked why, if it were
X-Force, Cannonball, Boom-Boom, Sunspot, et al, weren’t there). Cable even yells
“Stab his eyes!” which I don’t think I’ve seen on a page in 20 years.
Another made-up team of familiar faces in this book is the
Rej-X, freaks who failed Nova’s mind tests and have been locked away to strip
Sentinels for parts. Among them are Masque, Feral, Artie and Leech, a
pre-horseman Caliban, Sauron, Maggot, Chamber, and one of Sinister’s Nasty
Boys, the purple one.
Guys, when you read a book in 2015 that has Maggot and a
Nasty Boy in it, you know the Dream of the ’90s is alive.
But the best cameo in this book – and there may be more this
issue than in the first one – is the 1992 X-Men arcade game, which Jubilee
kills time playing while she waits for the rest of the team. The arcade game
debuted the same year as the cartoon but featured a decidedly more ’80s team of
X-Men, including Nightcrawler, Colossus, and, much to Jubilee’s consternation,
Dazzler.
Finally, a stray thought: Where’s Morph? He’s gotta show up
at some point, right?
Thors #2
Story: Jason Aaron
Art: Chris Sprouse, Goran Sudzuka, Karl Story, and Marte
Gracia
Someone is killing all of Battleworld’s Jane Fosters, and
now there’s one less Thor to find out who.
The second issue of Thors
opens with a call for vengeance, as Doom’s hammer-wielding police force spreads
out and roughs up every Hulk, zombie, Ultron and Morbius who might have an
inkling as to why Beta Ray Thor was killed and by whom.
Meanwhile, Thorlief Golmen, aka the Ultimate Thor, continues
his investigation into the Foster murders, only to discover a fellow Thor –
make that ex-fellow Thor – has been collecting evidence of his own.
There’s no way to tell for sure whether this de-powered,
ax-wielding, one-armed Thor is the 616 Odinson. He claims to know things the
other Thors don’t – as Loki did in the previous issue – but he reveals little
before sinking back into the shadows.
The end of the issue reveals a new body – this time not a
Jane Foster – and a new suspect. Well, new for Thorlief, anyway. Whatever’s
going on, it may be connected to the truth about Battleworld, how much of which
people know varies by book, domain and creative team. But it’s definitely way
too soon to tell, and kudos to Jason Aaron, Chris Sprouse, et al, for keeping
us in the dark while keeping us entertained with this Asgardian police
procedural.
MODOK: Assassin #3
Story: Christopher Yost
Art: Amilcar Pinna, Terry Pallot and Rachelle Rosenberg
There’s violence, there’s ultraviolence and there’s this
issue of MODOK: Assassin, in which
practically anybody who’s ever killed somebody in the Marvel Universe is sent
after MODOK and his crush, Angela-Thor.
Who’s everybody? Well, there’s the Scarlet Spider, the Grim
Reaper, Jack-O-Lantern, Boomerang, Screaming Mimi, Bushwacker, the Ghost, Hit
Monkey, Black Widow, the Punisher, Typhoid Mary, Wolverine, Sabretooth, the
Kingpin, the Shroud, Viper, a resurrected Doctor Octopus (remember when he died
in the first issue?), and, finally, the Mindless Ones: empty, demonic beings who
generally serve Dormammu.
Many of these characters die in the most grisly ways
possible: Decapitation via chainsaw, psychic energy blast, having their head
crushed in the bare hands of a Thor, getting run over, impalement, getting
sliced in half from head to crotch, etc. Flying eyeballs, freshly loosed from
their sockets, are not an uncommon sight. There hasn’t been a celebration of
cartoon violence this loud and proud since the Itchy and Scratchy shorts on The Simpsons. The only reason this isn’t
a MAX title is because nobody’s cursing or having sex. Seriously, good on you,
Amilcar Pinna.
Apart from all this psychotic glee, however, there’s still a
mystery to solve. Someone back at Thor HQ finally realized one of their own is
missing (ironically, it’s Beta Ray Thor, who, if you’ve been reading Thors, or even the review of Thors above this, you know has been
killed). Angela-Thor has been de-hammered and cloaked so, while MODOK can see
her (and continually comment on her beauty and the way she wields a sword), he
can’t “see” her with any sort of tracking device, and the Thors also can’t get
a read on her using any of their science or magic. Clearly, someone wants her
out of the picture, likely the same person who sent the Mindless Ones after her
at the end of this issue.
Next issue, I fully expect a higher body count, more mayhem
and, maybe, some light plot resolution.
Deadpool’s Secret Secret Wars #3
Story: Cullen Bunn
Art: Matteo Lolli and Ruth Redmond
Part of what has made Deadpool Deadpool more and more over
the years is the fact that, while he’s an unhinged psychopath with no qualms
about murdering for fun and profit, he still knows how to make a heroic
sacrifice.
That side of the character is front and center in this
revisionist take on the original Secret
Wars. Last issue, he gave up his cool lenticular shield to help Reed
Richards rescue the heroes from the mountain they were trapped under. This
issue he sacrifices his good looks, and his feelings for the alien healer
Zsaji, to resurrect the other heroes. Doubtless DP is not done sacrificing yet,
especially with one more issue to go and the fact remaining that nobody will
actually remember him being there.
But if Deadpool is good, he’s chaotic good at best. And
according to this issue, he maaaaaay have had a hand in creating Venom. When
the heroes find the Star Trek-like
replicator machine that makes new outfits, Wade gets his mitts on the black
alien-symbiote costume before Spider-Man. (His review: “Could use a few more
pouches.” Amen, brother.) But when he feels the symbiote feeding off his
thoughts, he promptly removes the costume and passes the savings on to Spidey. Though
not before a dress-up montage that shows him looking like everyone from Captain
America to Cruella de Vil.
By the end of the issue, Dr. Doom has defeated the Beyonder
and taken his power for himself (sound familiar?), and Deadpool tries to reason
with him, newly handsome person to newly handsome person. One guess how that
goes.
No comments:
Post a Comment