Showing posts with label chris claremont. Show all posts
Showing posts with label chris claremont. Show all posts

Thursday, April 9, 2015

Fit to Be Tied In: A History of Marvel Crossovers and Events Part 2- Mutant Massacre to Muir Island Saga- The Crossovers of Chris Claremont

These days, a month that goes by without more than a dozen X-books weaving stories into each other is an anomaly. But 30 years ago, in that strange time known as the 1980s, such a thing was a novel idea.

Back then, Chris Claremont was in charge of nearly all the mutants and two ongoing series: Uncanny X-Men and the New Mutants. The original five X-Men, however – Cyclops, Marvel Girl, Beast, Iceman and Angel – were under the purview of Louise Simonson in the earliest incarnation of X-Factor.



What brought these three teams (and also Thor and Power Pack) back together in 1986? Genocide. A new group called the Marauders was slaughtering the Morlocks, a community of mutants that lived in the sewers below New York. The Mutant Massacre was one of Claremont’s darkest, most violent stories to date, and had some of the most lasting effects on the X-books. Angel’s wings were broken and later amputated, leading him to become Apocalypse’s Horseman Death. Nightcrawler and Shadowcat were injured and left the team to recuperate on Muir Island, which led to them co-founding a new team, Excalibur. In their place would come Psylocke and, later, Dazzler and Longshot. Sabretooth – a Claremont creation ported over from his run on Iron Fist – would stake a claim as a major X-villain and specifically an arch-nemesis of Wolverine. The Marauders’ employer would later be revealed as Mr. Sinister, the mad geneticist obsessed with the Summers bloodline. The Massacre would also later be tied in to the backstory of Gambit, who would not appear in the comics for another four years.

Next, in 1988, came Fall of the Mutants, which wasn’t so much a crossover as a label that appeared on the three main X-books but was considered a major event nonetheless, not the least so because the X-Men died … for about a minute.



The X-Men and Madelyne Pryor sacrificed themselves fighting the Adversary, a Native American demon god linked to Forge, during a battle in Dallas. Upon vanquishing their foe, Roma, the daughter of Merlin, resurrected them, made them invisible to technology (a plot thread that, near as I can tell, just sort of disappeared) and gave them access to the Siege Perilous, a one-time transporter that, once a person passes through it, basically gives them a new life somewhere else with no memories of their previous one until such time as a writer finds that inconvenient. Meanwhile, in X-Factor, the team fights Death, aka Archangel, and breaks him of Apocalypse’s control, and in New Mutants, Doug Ramsey, aka Cypher, is shot and killed by The Right, an anti-mutant group led by Cameron Hodge, whose name will pop up a few more times in this post.



The following year brought an Inferno to the streets of New York in a convoluted plot involving, in no particular order, the demons of Limbo, inanimate objects coming to life, Pryor becoming the underboob-exposing Goblin Queen, Colossus’ sister Illyana being reverted from a magic-wielding sorceress back to a child, Hodge making a deal with demons for immortality, a number of babies – including the baby that would grow up to be Cable – being stolen to complete a spell, Pryor being revealed as a clone of Jean Grey created by Mr. Sinister, the Spider-Man villain Hobgoblin becoming a demon, another demon getting infected with Warlock’s Transmode Virus, the X-Men and X-Factor fighting each other, and the X-Mansion being destroyed again. Inferno cast a wide net, stretching from the X-books to Spider-Man and Daredevil to, quite sensibly, Damage Control, the Marvel Universe’s post-event cleanup crew. And Power Pack. Those kids got a lot of hangtime in the ’80s.



Hodge surfaces again in 1990 as a creepy spider-robot with a human face pulling the strings on the mutant-enslaving island of Genosha in The X-Tinction Agenda. By this point, Jim Lee was drawing Uncanny X-Men and Rob Liefeld had come aboard New Mutants, so we’re starting to see some of the deck-clearing exercises that will pave the way for X-Men #1 and X-Force #1 a few months down the line. Some of the X-Men who went through the Siege Perilous are reunited. Cable has taken over the New Mutants. Storm is restored from her de-aged self back to an adult weather goddess, and she introduces everyone to the creepy Cajun friend she made while evading the Shadow King. Havok is revealed to have been working as a Genoshan magistrate. Wolfsbane of the New Mutants is turned into a Genoshan mutate, or slave. Warlock is killed. A bunch of people see former British woman Psylocke as an Asian ninja for the first time. And the Genoshan government is toppled – literally; Rictor destroys their Citadel.



The Claremont age ends in summer 1991 with a mini-crossover called the Muir Island Saga that straddles Uncanny X-Men and X-Factor. The Saga served a few goals: It wrapped up a long-running (there’s no other kind with Claremont) arc involving the Shadow King; it re-crippled Xavier; it reunited the X-Men with their original members to form an all-killer, no-filler superteam that would need two books to hold them; and it transitioned X-Factor from a book about the original five X-Men to a book about a government-sponsored mutant team written by Peter David. If you have any affection for Jamie Madrox, Strong Guy or Polaris, it starts in X-Factor #70.

Next week, Matt takes us into space for some cosmic crossovers, so bring your favorite Infinity Gem and prepare to get Annihilated.


Dan Grote’s new novel, Magic Pier, is available however you get your books online. He has been writing for The Matt Signal since 2014. He and Matt have been friends since the days when making it to issue 25 guaranteed you a foil cover.


Tuesday, September 16, 2014

The X-Men’s Wacky Neighbor: Told Tales of Spider-Man Team-Ups

Marvel last week announced a replacement title for Wolverine & the X-Men – on account of Wolverine’s dead – called Spider-Man & the X-Men, to be written by Elliott Kalan and drawn by Marco Failla. As usual, there was the normal Internet contingent of “This is unnecessary and/or different and must be destroyed so my butt stops hurting!”

But it’s not like Spider-Man hasn’t been teaming up with the X-Men for years. He may not be a mutant, but his powers are born of the same Nuclear Age, with-great-radioactivity-comes-great-powers-comes-great-responsibility schtick as anything else Stan Lee, Jack Kirby and Steve Ditko created in the early 1960s.

With that in mind, here are some of the other times Spidey teamed up with the X-Men, in varying media and to varying degrees of success.


Marvel Team-Up featuring Spider-Man and Captain Britain (1978): This one’s a bit of a slant rhyme as X-characters go, but it counts as a Spidey-X-Men team-up for a few reasons: 1) Captain Britain spent a decade with Excalibur during the book’s original run, hanging with X-Men such as Nightcrawler, Kitty Pryde and Rachel Grey; 2) The story was written by Chris Claremont and drawn by John Byrne during their golden-age period on X-Men; 3) The main villain in this two-parter is Arcade, a Claremont/Byrne creation who tormented the X-Men on the regular (see further down this list).



Spider-Man and His Amazing Friends: From 1981 to 1983 on Saturday mornings, Peter Parker and his Aunt May took in a trio of strays: Bobby Drake, the X-Men’s Iceman, who spent 1975 to 1985 bouncing around lower-tier teams like the Champions and the Defenders; Angelica Jones, a fire-powered character created for the series but who was later written into the comics as a member of Emma Frost’s Hellions; and a dog.


Spider-Man vs. Wolverine (1987): In this one-shot by Jim Owsley and Mark Bright, Peter Parker and Logan end up in a still-divided Germany on different assignments and end up exchanging blows. The one-shot is notable for spelling the death of Ned Leeds, who may or may not have been the Hobgoblin depending on who was writing the title. It also features Spider-Man wearing a knock-off Halloween costume with the words “Die Spinne” on the back.



Spider-Man and X-Force in “Sabotage”: It’s 1991. “Beverly Hills 90210” is on the air. Vanilla Ice’s film “Cool as Ice” exists. Kelly Kapowski has left Zack Morris for her boss at The Max, Jeff. On Friday nights we hang out with our friends Urkel, Balki and Uncle Joey. These were cheesy times. Then Black Tom Cassidy blew up the World Trade Center, which hadn’t happened in real life yet so it probably didn’t make readers uncomfortable. With Todd MacFarlane and Rob Liefeld handling the art (incidentally, it was MacFarlane’s last issue on Spider-Man), the result is a big, dumb early ’90s action movie. The books were even laid out horizontally (though the ads were not) for an allegedly more cinematic experience. All that was missing was Cable yelling “Yipeekiyay, Mr. Falcon.” On a side note, these issues go a long way to showing how much comics culture has changed in the past two decades, considering how many times the Juggernaut calls Warpath some variety of “Injun” and accuses Shatterstar of being a “pretty boy” and a “pansy.”



Spider-Man and the X-Men in Arcade’s Revenge: This LJN game was released in 1992 for Nintendo’s Super NES and Game Boy and Sega’s Genesis and Game Gear. Playable characters included Spider-Man, Wolverine (in his yellow-and-burgundy ’80s outfit), Cyclops (in his blue-and-white ’80s X-Factor togs), Storm (in her then-modern ’90s uniform) and Gambit (in his classic trenchcoat and headsock). Arcade – not exactly a marquis Marvel villain, but OK – kidnaps the X-Men and runs them through his trademark murder mazes, with Spidey in hot pursuit. I remember never beating this game, rage-quitting it a few times and failing to sell it at a garage sale. Bosses included typical villains such as Rhino, Shocker, Carnage, Apocalypse and Juggernaut, and head-scratchers such as the demon N’Astirh (from the "Inferno" storyline) and Obnoxio the Clown.



“The Mutant Agenda”/”Mutants’ Revenge” (1995): Fox had a good thing going on Saturday mornings in the mid-90s between the X-Men and Spider-Man cartoons. So it made sense the two would cross paths at some point, which they did in Spider-Man’s show. In the second season in 1995, old Peter Parker’s spider-borne mutations were out of control, so he sought help from the gang on Graymalkin Lane. In the process, the Beast gets kidnapped, the Hobgoblin (who sounded suspiciously like the Joker) makes trouble, and good guys fight each other over the kinds of manufactured misunderstandings that only happen in comics.



Uncanny X-Men 346 (1997): The issue is tagged as being part of "Operation: Zero Tolerance," the big X-crossover of 1997, but only one actual X-Man – Gambit – shows up for all of one page. At this point, half the X-Men had been lost in space for six months, helping the Shi’ar fight the Phalanx, while the other half had been kidnapped by Bastion and his Prime Sentinels. So 346 turns into a Spider-Man issue, complete with America’s favorite micromanaging, sensationalist newspaper publisher, J. Jonah Jameson. Spidey teams up with Morlocks Callisto and Marrow against a pair of Prime Sentinels tasked with running security for Henry Peter Gyrich, Marvel’s longtime government d-bag. In the process, Spidey lectures Marrow that with great power yada yada yada. Marrow later joins the X-men for all of about 8 seconds.



Bendis’ pet Avengers (2004-2012): Spidey and Wolverine have been teammates for about a decade now, courtesy of the Brian Michael Bendis age of Avengerdom that ran roughly from 2004 (Avengers: Disassembled) to 2012 (Avengers vs. X-Men). And since Bendis shifted after that from writing Avengers to writing X-Men, overseeing two of the franchise’s main books, it makes sense that that relationship is still in place. Also, a book called Spider-Man & the X-Men is going to sell far more copies than, say, Beast & the X-Men or Kitty Pryde & the X-Men or the New Broo Review.



X-Men and Spider-Man (2009): In this four-issue retcon-tastic miniseries by Christos Gage and Mario Alberti, Spider-Man is shown teaming up with the X-Men across their respective 50-year histories in an overarching plot that involves Mr. Sinister, Kraven the Hunter and Carnage. Issue one is set in the ’60s, with the original five X-Men. Issue two takes place just after the Mutant Massacre in the ’80s. Issue three takes place amid the Clone Saga in the ’90s. And issue four takes place in the wake of M-Day in the 2000s.


Dan Grote has been a Matt Signal contributor since 2014 and friends with Matt since there were four Supermen and two Psylockes. His two novels, My Evil Twin and I and Of Robots, God and Government, are available on Amazon.

Friday, April 18, 2014

Field Report: Asbury Park Comic Con 2014

(This week, instead of your normal recommended reading, I have a special report from contributor Dan Grote, who took a trip to Asbury Park for this past weekend's con there, a con I had hoped to get to, but alas due to work around the new house, I was unable to. But we here at The Matt Signal love small cons, so I was glad Dan could report in. Without further ado, here's Dan -Matt)




This past weekend I journeyed north to what has become my favorite annual con of the few I’ve been to over the years, the Asbury Park Comicon, held this year at the Berkeley Hotel in Asbury Park. Asbury’s is a small but growing con, not big enough to bear the taint of Hollywood or to be a glorified autograph farm but certainly bigger and better than a dirt-mall graveyard for $1 back issues and $5 trades.

The highlight for me was a panel starring Chris Claremont, who wrote Uncanny X-Men from 1975 to 1991, then returned in 2000 and again in 2005. He's also writing Nightcrawler again in a solo series that debuted this month. Mike Zapcic of AMC’s Comic Book Men served as moderator.



Claremont is every bit as verbose as his captions, with a long story for the simplest of questions. A boy asked him what characters he created, and he, with audience assistance, rattled off a list that includes Rogue, Gambit, Dazzler, the New Mutants, Mr. Sinister, the Marauders, Sabretooth, Jubilee, Mystique, Psylocke, Emma Frost, the Hellfire Club, etc. He talked about his consultancy on the X-movies, his appreciation of Liev Schreiber as Sabretooth ("I didn't know Wolverine was Jewish"), righting perceived wrongs done to Carol Danvers in the pages of Avengers and his issues with Warren Ellis' sexualizing of Kitty Pryde in Excalibur (he says he de-aged the character upon his return to the X-books). As Ellis' Excalibur was among my favorite books in my early comics-reading years, my ears pricked up a little at that last bit.

Other creators at the Berkeley Hotel included Nick Fury: Agent of SHIELD artist Jim Steranko, Ren and Stimpy co-creator Bob Camp, Milk and Cheese creator Evan Dorkin, Batwoman and Sandman: Overture artist JH Williams III, Longshot and Daredevil writer Ann Nocenti, longtime Marvel editor Jim Salicrup, Hate creator Peter Bagge, Wonder Woman artist Cliff Chiang, indie legend Denis Kitchen, My Little Pony and Adventure Time artist Stephanie Buscema and many others.



Of course, seeing as one of the organizers of the Asbury con is frequent Comic Book Men guest Robert Bruce, the men of Jay & Silent Bob’s Secret Stash were among those in the house. With that in mind, you should be seeing a group shot of Zapcic, Ming Chen, my wife and myself either above or below this paragraph.

But I’m no stargazer or sketch commissioner. I go to cons for the nerdly shopping. Most of what I bought came from three tri-state area vendors with whom I was already favorably familiar: Wildpig Comics in Kenilworth, N.J., Conquest Comics in Bayville, N.J., and the Comic Book Shop in Wilmington, Del. My library of trades expanded as follows:

Essential Captain America, Vol. 5 (includes reprints of Jack Kirby's 70s run on the book, which I’ve been dying to read lately)
Essential Ms. Marvel Vol. 1 (which my wife is currently reading, after the first two issues of G. Willow Wilson and Adrian Alphona's Ms. Marvel got her Carol-curious)
Mystique: the Ultimate Collection by Brian K. Vaughn
The Immortal Iron Fist, Vols. 2 and 3 by Matt Fraction, Ed Brubaker, David Aja, et al (Note: Need Vol. 1)
Captain America: Two Americas (completes my Brubaker run from the first omnibus to just before Fear Itself; only volume I won't have in hardcover)
A stack of $1 bin issues of Batman ’66, which my wife and I plan to give out as favors for my son's 3rd birthday party.

Additionally, I picked up three Funko Pops: The ’66 Batman and Robin, and a Winter Soldier (full mask)



One small quibble: I wish there’d been more apparel for sale. I could always use another T-shirt. Get on that, vendors!

In my wandering around I got to speak briefly with an organizer of next year’s inaugural Atlantic City Boardwalk Comicon, and while I wasn’t recording the conversation or conducting an official interview, I will say he got me looking forward to the event, which will be barely 20 minutes from my house the weekend before Memorial Day weekend.

And I definitely recommend a stroll through downtown Asbury. My wife, friends and I had some banging sushi at a restaurant called Taka for dinner, and browsed through some swanky vintage records, clothes and books in the local stores. And even though I’d just spent the day browsing through trade bins and racks of collectibles, and my messenger bag full of swag was digging into my shoulder, I still managed to pop into The Comic Crypt Café on Cookman Avenue and strike up a conversation with the staff about Joe Kelly’s Deadpool and Kelly Sue DeConnick’s Captain Marvel.


Final verdict: A++, would con again.