Showing posts with label cyclops. Show all posts
Showing posts with label cyclops. Show all posts

Friday, December 4, 2015

The Matt Signal Advent Calendar 2015 Day 4: X-Men: Evolution "Blind Alley"



X-Men: Evolution
Season 3, Episode 5: “Blind Alley” 2002

Matt Says:

X-Men: Evolution was the excellent animated series that treated most of the classic X-Men as if they were actually kids going to school, splitting their time between mutant classes at the Xavier school and regular classes at a regular high school. It was a great show that played with its own alternate version of X-Men history and built some great versions of classic X-characters.

If you've read anything I've written about the X-Men, you know I'm a Cyclops fanboy and apologist. And while I grew up with the decidedly less impressive version from the classic X-Men animated series, the version of Evolution is phenomenal, a clean cut leader and good kid who isn't either whiny or white bread, and his spotlight episode, "Blind Alley," is a favorite of mine. In it, Mystique, seeking revenge for Scott leaving her trapped for human authorities to find, tricks him into coming to Mexico and then strands him in the desert without his ruby quartz visor or glasses, and Scott has to survive without them.

The episode shows Scott fighting coyotes in the wild, accidentally blowing the roof off the hospital when he's brought into Mexico City, fighting off a street gang, and eventually fighting off Mystique, all using his wits and a minimum of optic blasts. The final fight with Mystique, where they fall into a dark basement where they both can't see and Scott uses this to his advantage, is brilliant. With no background music, you listen with Scott as he waits for Mystique to brush against something or grunt so he can make his move. It spotlights his tactical mind in a way most other Cyclops stories don't.

Also, this episode forwards the relationship between Scott and Jean Grey. They had been sort of dancing around each other for a few episodes, but here, the psychic bond that was forged earlier in the series really blossoms. It's fun to watch the X-Men repairing the school after yet another cataclysm, and Cyclops and Wolverine working on the roof together, having shirtless bro time (it's really the only way to describe it), where Scott asks Logan, who is older and a teacher here, for advice about Jean (it's important to know that in this version, Wolverine does not have the hots for Jean). It's a nice character moment for both characters.

As with The Tick from yesterday, the DVD release of X-Men: Evolution was incomplete. The first two seasons were released in single four episode discs, the third as a complete season, and the fourth was never released at all. Between continued interest in the X-Men and recent attention brought by episode recaps and a special podcast by Jay Rachel Edidin of the wonderful Rachel and Miles X-Plain the X-Men podcast, it would be a good time to get this whole series out there.

Wednesday, December 17, 2014

The Matt Signal Advent Calendar 2014 Day 17: Uncanny X-Men #336


Uncanny X-Men #336, September 1996

File this one under crossover issues that stand out more for what they represent than for the stories themselves (See also Spider-Man Unlimited #1, Civil War #1).

Uncanny 336 was a chapter of “Onslaught,” a Marvel mega-event that included the X-Men, Avengers, Fantastic Four and plenty of side books. The hype for Onslaught began building in spring 1995, almost immediately after the end of the previous X-event, the “Age of Apocalypse.”

In fact, according to Brian Cronin’s Comic Book Legends Revealed, what started as a half-formed idea by Scott Lobdell to have someone or something beat up the Juggernaut turned into an edict across the books to allude to Onslaught before anyone knew what it was.

But I don’t remember Onslaught for being a confusing mess that featured a teenage Tony Stark, a younger, long-haired version of Magneto or Hawkeye wearing A Very ’90s Headsock.

What I remember is one panel, about a ninth of the page, showing the left half of Cyclops’ face, fangs bared, saying two words: “Take him.”  Behind him, in shadow, Thor and Storm are airborne, ready to attack the being holding Charles Xavier prisoner and threatening to torture him slowly. Quite frankly, it’s my favorite thing Joe Madureira ever drew.

Here, Cyclops isn’t just leading the X-Men. The Avengers and the FF are following him into battle as well. The X-Man who had spent 30 years suffering from crippling insecurity was now barking orders at almost every major hero in the Marvel Universe. And that’s why I was a teenage Cyclops fan.

Tuesday, June 10, 2014

Apocalypse Wow: The Life and Times of En Sabah Nur

I don't know why, but something has me thinking about Apocalypse. It's like a little voice in my head chanting "EN SABAH NUR! EN SABAH NUR!" So weird.

In all spoiler-free fairness, it's already been reported that the next X-Men sequel has been subtitled "Apocalypse." Bryan Singer announced it earlier this year in a tweet that launched a thousand nerd boners.

I loved Apocalypse as a young reader. A big, blue, robot-looking dude who espoused survival of the fittest and turned Angel into a badass? What's not to love?

If you're not familiar with the immortal mutant, here's some homework for you.



1. First appearance: X-Factor #5, (June 1985): Apocalypse is revealed as the string-puller behind the Alliance of Evil, a cadre of mostly forgettable villains (one member of the alliance, Frenzy, went on to become one of Magneto’s Acolytes in the ’90s and later became a player in X-Men: Legacy) that plagues the original five X-Men in their first outings as X-Factor. Oddly enough, as Brian Cronin writes in Comic Book Legends Revealed, said string-puller was not originally intended to be a new character but the Owl. The change was made to accommodate incoming writer Louise Simonson. Available in Essential X-Factor Vol. 1.


2. Turns Angel into Archangel: X-Factor 17-23, (1987): Under Simonson, Apocalypse becomes a regular thorn in X-Factor’s side and develops facets of his personality such as his survival of the fittest mantra and his penchant for turning mutants into horsemen. Chief among his first batch of Horsemen was Warren Worthington III, who was injured during the Mutant Massacre, lost his wings and his fortune due to the meddling of his ersatz friend, Cameron Hodge, and was driven suicidal. Apocalypse took the blonde, blue-eyed sad sack and turned him into an angel of Death, later to be called Archangel. Available in Essential X-Factor Vol. 2.



3. The taking of Baby Nathan: X-Factor 68, (July 1991): This arc includes the first appearance of the Dark Riders, whom I always liked better than the Horsemen, as henches go, although the Horsemen certainly have satisfied a narrative trope of turning X-Men eeeeeeeeevil for a brief period. Chris Claremont, Jim Lee and Whilce Portacio created the riders – Inhumans, not mutants, it should be noted – during a time when it seemed every major X-villian had to have his own running crew. Magneto had the Acolytes, Stryfe had the Mutant Liberation Front, and Mr. Sinister had the Nasty Boys, which of course made no sense because Sinister had a perfectly good batch of henches in the Marauders, but that’s a head-scratcher for another time. In this storyline, Apoc infects Baby Nathan with the techno-organic virus that makes the grown up Cable look so early ’90s-tastic. Cyclops and Jean give the baby over willingly to a woman they just met claiming to be from the future, then go on to their next adventure, helping the X-Men fight the Shadow King on Muir Isle, leading to a reshuffling of the X-teams. Available in Essential X-Factor Vol. 5.


4. X-Cutioner's Song: Uncanny X-Men 294-296, X-Men 14-16, X-Force 16-18 and X-Factor 84-86, (fall 1992): A weakened Apocalypse, still smarting from his last encounter with Cyclops & Co., teams up with the X-Men to save Xavier, who was mortally wounded by Stryfe, posing as Cable. Like the Summers clan, Apoc is on Stryfe’s hitlist for slights against him, though said slights would not be performed for centuries. Stryfe assaults Apocalypse and even steals the Dark Riders from him, down to the last tiny Tusk. Things get so bad for him that he asks Archangel for a mercy killing, which Warren refuses.



5. X-Men the Animated Series (1992-97): My first exposure to the character. In his first two-part appearance, he transforms Warren into Archangel and fights the X-Men at Stonehenge and says cool things like "I am as far beyond mutant as they are beyond you." Later on in the series, he gets a four-part arc in which he kidnaps all the psis in a bid to increase his power but is stopped by Bishop and his friend Immortus the Cosmic Janitor.


6. Adventures of Cyclops and Phoenix (1994): The one in which Apocalypse dies in the future. Scott and Jean get pulled through time on their honeymoon to raise Baby Nathan and help a ragtag group of Askani defeat the villain, only for his cause to be taken up by a young Stryfe. Damn that Stryfe. He's so hot right now 20 years ago!


7. Age of Apocalypse (All X-books, winter 1995): America's favorite alternate timeline (besides that one from the last season of Lost) was borne of Legion going back in time and accidentally killing his father. As a result, Apocalypse takes over North America, Cyclops loses an eye, Mr. Sinister gains a goatee, Wolverine loses a hand and the 616 gains a Sugar Man.


8. Rise of Apocalypse (1996): Writer Terry Kavanagh and Penciller Adam Pollina reveal the origins of Apocalypse at last. Finally we get to see En Sabah Nur as a weird-looking baby and the first goth teenager, survival of the fittest-ing in the sands of ancient Egypt, enslaving Ozymandias, and mucking about with Kang the Conqueror in his Rama-Tut identity.


9. Blood of Apocalypse: X-Men 182-187, (2006): In Peter Milligan’s storyline, Apoc returns from the dead – again – in the wake of House of M to discover there are a heck of a lot fewer mutants than their used to be. He offers himself as savior of mutantkind, demanding humanity Decimation itself in the process. It is during this period that Apocalypse counts the greatest number of X-Men among his Horsemen, including Gambit, Polaris and Sunfire. Also, the Celestials come calling for repayment for letting him play with their toys all these years.




10. The Apocalypse Solution: Uncanny X-Force 1-4, (2011): Wolverine’s band of X-killers tries to get the jump on a newly reborn Apocalypse only to find him as a young boy. Writer Rick Remender begins a great run with the age-old question of “Would you kill Hitler as a baby?” and spends much of this series and his next, Uncanny Avengers, revealing its consequences, both in the 616 and the Age of Apocalypse.

Happy reading! One day, maybe Matt and I will share with you the fanfic trilogy we wrote in which Apocalypse and his posse wiped out most of the X-Men. It was pretty flippin' sweet. At least we thought it was 15 years ago. In truth it probably had more Pete Wisdom and Deadpool than was necessary. 

Monday, May 12, 2014

Reviews of Comics from Wednesday 5/7


Batman: Eternal #5
Story: James Tynion IV & Scott Snyder, Tim Seeley, John Layman, Ray Fawkes
Art: Andy Clarke

I still plan on doing a catch up on this series with individual issue analyses, but I had to talk about this issue because it made me ever so happy. This issue moves away from the Jim Gordon plotline that was the driving force of the first month and introduces or fleshes out a few more characters. We get to see Vicky Vale, the reporter who is probably best known for her appearance in the first Tim Burton Batman movie, but is a much older character than that, as well as introducing her new associate at the Gotham Gazette. We also get to see Harper Row and her brother Cullen, the characters introduced as new supporting characters by Scott Snyder in his run on Batman. I love Harper; she's smart, tough, and a nice addition to the Bat family. But the thing that made this issue for me, really made it, was Tim Drake. Yes, it really feels like Red Robin is back in the Bat titles, after only a few appearances here and there throughout the tenure of the New 52. And this feels like my Tim Drake. I'm not going to start bashing Teen Titans here, but I will say that the Tim Drake there has not really rung true to someone who has pretty much every appearance the character has ever made. But this issue works beautifully. Tim is the tech savvy detective he always felt like he was supposed to be; he looks at the bigger picture and figures out something Bruce hasn't, and then he gets into a fight with a bunch of nanobots. Andy Clarke's art is solid throughout the issue, but the creepy tentacles of nanobots are really a great visual. I've been enjoying Eternal so far, but if this issue is an indication of the Red Robin to come, this book is going to be high on my reading order each and every week.



Cyclops #1
Story: Greg Rucka
Art: Russell Dauterman

I love Cyclops; I've written about that before. I love Greg Rucka. So the combination of a Cyclops ongoing written by Greg Rucka was a surefire hit with me. This series features the young Cyclops, the one brought to the present in All New X-Men on a space adventure with his dad, the space pirate Corsair. Cyclops here is sixteen, and someone who thought he lost his dad years before. Now he's trying to not only navigate being out of his own time and away from everyone he knows, but with the father he thought he lost and a crew that includes a giant lizard man, a bird alien, a cyborg, and a cat/skunk woman his dad is dating. Rucka paints a great picture of Cyclops, one that is fully fleshed out; he's a confused teenager without being whiny about it; Corsair gives his son the advice that, "everyone sucks at being sixteen," and I have to say, Rucka remembers that feeling and knows how to make it work really well. Aside from all that introspection and character beats, we also get some hints about exactly how Corsair is back from the dead (no, not the time Cyclops thought he was dead. That time he was just abducted by aliens. The time he seemed really dead), we get to meet Corsair's crew, the Starjammers, and we get an action piece involving boarding a Badoon ship. One of the things that makes this a strong first issue is you get pretty much an entire story in one issue. Marvel has had some great first issue's lately, especially She-Hulk and Daredevil, both of which did exactly this. While I understand trying to build a series around the first issue and having it spin into a huge arc, I always feel a strong stand alone first issue helps lure the reader back for more. While it might not have the direct agency of a "To be continued," you can get a better feel of exactly what the book will be if the first issue stands on its own. I find this especially true with mainstream superhero books, where the world building isn't as difficult since you're building a house of a pre-existing frame; books where you have to build the whole world get a bit more time from me, and I'll get to that in a minute. The issue wraps with Cyclops and Corsair heading out on their own in the captured Badoon ship for a tour of the galaxy's great sites. I'm a sucker for father and son stories, and this is a cosmic road trip thrown in. It looks like a fun, action series with a strong core relationship, and is a series I'm looking forward to watching develop.



Nailbiter #1
Story: Joshua Williamson
Art: Mike Henderson

Speaking of issue ones that have to spend some time doing world building, here is the horrifying (in the best sense of the word) Nailbiter, from the writer of my favorite Image series I feel like needs more attention, Ghosted, Joshua Williamson. Imagine one town produced Ed Gein, Jeffrey Dahmer, and Jack the Ripper. If it existed, that town would be Buckaroo, Oregon, a creepy little town that has produced sixteen serial killers. After a brief introduction to one of these "Buckaroo Butchers," the titular  Edward "Nailbiter" Warren, we are introduced to the character who seems to be our protagonist, Nicholas Finch, an army intelligence agent who seems about to take his own life. Only a call from a friend of his, an FBI profiler, stops him. His friend tells him that he has discovered the secret of Buckaroo, and that Finch needs to get out to Buckaroo now. Finch arrives, only to find his friend missing and the town creepier than he imagined. Quickly he meets the local goth girl who local toughs harass with comments about her becoming the next Butcher, the guy who runs the local serial killer souvenir shop, and the local sheriff. Sheriff Crane, who knew Carroll, Finch's friend, was also looking for the missing man, and the two go to meet the person Carroll was in touch with: Nailbiter Warren, who is free and living back in town. The first issue is wonderfully atmospheric, with gorgeous dark art from Mike Henderson. This first issue works very differently than Cyclops did; while we only get sketches of the characters (well wrought ones; I'm curious to see more about Finch's past and his anger issues, for instance), this issue establishes mood and setting perfectly. Buckaroo is going to be as much a character as any of the people in this series, and it is the thing I feel like I know the best after this first issue. And frankly, that's a character that made gooseflesh break out on my arms, which for a horror comic, is a very good sign.



The Sixth Gun #40
Story: Cullen Bunn
Art: Brian Hurtt

I feel bad that I haven't written about The Sixth Gun more. I've commented about other books that fall in a similar range, a book that is so consistently good that I don't reach out and address it as I should. Frankly, as we run down to the end of the series, I'll probably do a full on recommended reading for it, but for now, let's look at issue #40. For those unfamiliar, The Sixth Gun is a weird western that follows six magical guns that can bring about the apocalypse, and those who bear them, some trying to destroy the guns, some trying to use them for their own nefarious purposes. After most of our heroes were killed over the past few issues, those few remaining, Beckie Montcrief (the bearer of the Sixth Gun), Drake Sinclair (the bearer of four of the other six guns), and Nidawi (bearer of the spirit of the shaman Screaming Crow), are being chased by serpent men and Jesup, the bearer of the Fifth Gun and servant of Griselda, the Grey Witch, who plans to use the guns to remake the world. It's another brutal issue, where more of our heroes fall by the wayside, and features a great battle between Jesup and Drake. Drake is becoming more and more affected by the guns he bears, and when Jesup gets his hands on a couple of them, things turn badly for Drake. Series artist Brian Hurtt does a tremendous job in the scene where Drake must face down the golems created by the Fourth Gun. Becky's use of the Sixth Gun to travel back in time to talk to her fallen friend, Gord Cantrell, to learn what he knew of the guns is poignant and painful, as Gord knows the only reason Becky would be coming to him in this form. With only ten issues left before the finale, The Sixth Gun continues to ramp up the tension, with the supernatural elements all coming together to what I'm sure is going to one final great battle between good and evil.

Oh, and a couple general notes before I go:

- I was still recovering from a wonderful and exhausting Free Comic Book Day last week (thanks to everyone who came out and made it an amazing day), so I didn't take notes as I was reading my books and thus don't have the info to write a full review here, but you should all check out Southern Bastards by Jason Aaron and Jason Latour. Deep South crime done amazingly; if you liked Scalped, Aaron's last crime book, this is well worth checking out.

- With network upfronts now hitting, we have seen not only the renewal of the two current major network comic book based series, Arrow and Marvel's Agents of SHIELD, but the pick up of five more: iZombie, Flash, Constantine, Gotham, and Marvel's Agent Carter. The trailers for two of these have hit, and I enjoyed both quite a bit. I remain optimistic about Gotham, and Donal Logue was born to play Harvey Bullock, but Constantine knocked me off my feet. There's a clear reverence for the source material, the opening shot of Ravenscar Asylum shows that right off the bat, and Matt Ryan looks like the DC Direct John Constantine action figure come to life. And he's British! I know three minutes can't tell you too much about a series, but that was a fine three minutes, and I'm on the hook for this one, no doubt.

Wednesday, February 12, 2014

I've Got the Runs: Scott Lobdell's Uncanny X-Men #286-350

When people write about legendary X-Men storytellers, they usually start with Chris “Pappy” Claremont, who took one of Lee and Kirby’s lesser efforts, stripped out what he had no use for and told 16 years of generally brilliant long-form, interweaving arcs.

Then they talk about Grant Morrison, who brought a dark, leather-jacket wearing, indie sensibility to New X-Men, gave Charles Xavier an evil twin, killed Jean Grey (A-gain) and made us care about a guy who looked like a sickly chicken.


But there’s a third guy, in between those two, one who fell into fortune as Marvel saw a mass exodus of talent in the early 1990s and ended up guiding its then-top franchise through most of the decade. And making Colossus miserable.


The story of how Scott Lobdell took over Uncanny is the stuff of legend. In short: He happened to be walking past editor Bob Harras just as Harras needed somebody to finish some X-scripts in 1992. Scripting turned to full-on writing duties at the tail-end of a revolving-door period in which Claremont, Jim Lee, Whilce Portacio and John Byrne all left the X-books.


What follows is six years of crossovers: 1992’s “X-Cutioner’s Song” (Stryfe attacks Xavier, cripples Apocalypse, kidnaps Cyclops and Jean Grey and claims they’re his parents), 1993’s “Fatal Attractions” (Magneto founds Avalon, convinces Colossus to join the Acolytes during his sister’s funeral), 1994’s “Phalanx Covenant” (introduces Generation X), 1995’s “Age of Apocalypse” (creates an alternate reality ruled by En Sabah Nur), 1996’s “Onslaught” (shunts the Avengers and Fantastic Four into a pocket universe) and 1997’s “Operation: Zero Tolerance” (human-sentinel hybrids imprison mutants).


For his grand finale, Uncanny X-Men #350, in which he passed the torch to Steven Seagle, he wrapped a long-developing story tying Gambit to the massacre of the Morlocks.


In between, he created what was intended to be the next wave of mutant heroes in Generation X, a team of largely brand-new characters with the exception of co-headmasters Banshee and Emma Frost and teammate Jubilee. Where are those kids now? Well, Jubilee’s a vampire teen mom, M recently migrated from Peter David’s X-Factor to Brian Wood’s X-(Wo)Men, Synch and Skin are both dead, Chamber was revealed to be a descendant of Apocalypse, Penance was revealed to be two mutants in a coat and Husk went on to have a creepy romance with first-generation X-Man Angel during Uncanny’s gas-leak year.


Crossovers and forgotten characters aside, Lobdell, like Claremont, was a master of the breather issue, those great standalones in which the X-Men would stop whatever it is they were doing to play softball or have Kitty fight demons on Christmas. And it is with that in mind that we present the 10 best issues from Lobdell’s initial run (he came back in the early 2000s to put Colossus out of his misery and cure the Legacy Virus).





297: The post-X-Cutioner’s Song issue. Jubilee bonds with Professor X by taking him rollerblading, as he had temporarily regained the use of his legs, an event that has happened more frequently through the years to the point where it’s no longer special, but at this point it still had some punch, especially during the scene in which, as Xavier’s lower half weakens once again, Jubilee guides him back to his chair. 







303: Illyana Rasputin dies of the Legacy Virus. It’s real sad.







308: The X-Men play football instead of softball. Jean proposes to Scott, and I’m reminded of every joke Chris Sims ever wrote about Cyclops.







309: Xavier does some hardcore flashbackin’, during which we see a young, pre-Acolytes Amelia Voght nurse Charles back to health after he had been crippled. They apparently dated right up until Charles started collecting X-Men like Pokemon, because she thought his “Gotta catch ’em all” attitude would draw unwanted attention to them.







315: Colossus, who defected to the Acolytes after a rough couple months in which his brother turned out to be both alive and a madman and his sister died, plays defense counsel during a kangaroo-court trial of the Neophyte on charges of aiding the enemy. Voght plays prosecutor. Judge Exodus, in charge on account of Magneto's current vegetable status, is swayed just enough by Colossus' complete lack of legal training that he lets the Neophyte off with mere banishment from Avalon.







318: The post-Phalanx Covenant, pre-Generation X issue, in which we learn Skin is as much of a sad, wrinkled sack as he looks, and Xavier ships the team's spunky, youthful heart down to the freshman squad. Also, Beast rocks out to the Stones.







325: Lobdell shows us how much he loves Claremont by having the X-Men play softball AND recreating the old "Storm fights the leader of the Morlocks in the sewers" gag. Also, Colossus returns to the mansion for an issue before heading over to Excalibur to beat up Pete Wisdom.







336: OK, so no one’s trying to defend "Onslaught," but as a recovering Teenage Cyclops Fan, there's a panel in this issue, after Onslaught has taunted the heroes with the imprisoned Charles Xavier inside him, where all you see is half of Scott's face, fangs bared, and a quiet "Take him." At this point, he's not just leading the X-Men into battle, he's commanding members of the Avengers and the Fantastic Four. Joe Madureira might as well have drawn a panel showing Scott’s testicles grow two sizes like the Grinch’s heart on Christmas Day.




340: Iceman started growing around this time, beyond the traditional "Let me show you your true potential" stories that got written every few months. At this point, he and Cannonball had been working undercover inside Graydon Creed's presidential campaign. Bobby got found out, and in retribution, the Friends of Humanity beat the crap out of his dad, who himself was an FOH-level mutant-hater. This leads to a great Bobby-Bastion confrontation later on in Operation: Zero Tolerance.







341: By this point, Cannonball had been an X-Man for about two years, and Lobdell had done a whole bunch o' nothing with him. The X-Men didn't need a Cyclops Jr., so he ended up playing a hayseed rookie as if he weren't leader pro tem of X-Force when Cable was out of town. In this issue, however, he finally gets to shine by wailing on Gladiator.



Dan Grote is the author of OfRobots, God and Government and My Evil Twin and I. He and Matt have been friends since Bane broke the Bat.

Monday, October 8, 2012

Reviews of Comics from Wednesday 10/3






Detective Comics #13
Story: John Layman
Art: Jason Fabok & Andy Clarke

Detective Comics has had a rocky time since the New 52 started. It started out solid, but quickly meandered, with new villains who weren't fleshed out and a love interest who was equally a cipher. I'm happy to report that John Layman's first issue puts the book right on track. The Penguin has gotten quite a bit of use in the past year, but I really enjoyed how he is portrayed here. Penguin's jealousy over being passed over and look on by Gotham as a crook has been a part of his character for years, but Layman puts that front and center. Penguin's plan to make his own name bigger than Bruce Wayne's, and to take out Wayne in the process, and how he plans to keep Batman busy, are clever; this isn't a waddling Burgess Meredith Penguin, but one who would fit in well in the Nolan universe. I also enjoyed Layman's take on Batman. He's clever and is able to think one step ahead of Penguin; the Batman in the book is suited for it, as he is a detective, putting evidence together to beat his foes. He also has levels, thinking about donating to charities that deal with the injuries he inflicts on he enemies and caring about his mother's memories. The backup features focuses on Ogilvy, Penguin's new right hand man, going on the caper that facilitates Penguin's plot in the main story with a new hire. It's a little crime story, abut what it's like to be a rank and file crook in Gotham; the flipside to Gotham Central. Jason Fabok's art has improved leaps and bounds from the first time I saw his work on the first volume of Batman: The Dark Knight; he's developing his own style separate from David Finch, who his early work strongly resembled.



Legends of the Dark Knight #1
Story: various
Art: various

The original Legends of the Dark Knight series was the first series I collected starting with the first issue, and so I have a soft spot for the series, and was curious to see what this new anthology of digital first stories would bring. The first issue had three stories, each of which was an excellent Batman short. The standout was "The Butler Did It," from Lost creator Damon Lindelof and Jeff Lemire, who I have encountered mostly as a writer. A story of Batman's early years, it presents a cocky young Bruce being put into his place by Alfred. It's a dark little story, but one that ends reminding us of the bond between Bruce and Alfred, and that everything Alfred does in the end is for Bruce's good. "All of the Above" is a Batman versus Amazo story on the JLA watchtower. It's one of those stories that shows that Bruce's mind is his greatest weapon, one that could allow him to stop any of the more traditionally powerful members, and its J.G. Jones art is stunning. The final piece, "The Crime Never Committed," comes from Star Wars scribe Tom Taylor and Secret Six & Earth 2 penciller Nicola Scott. The story of Batman preventing a desperate man from committing a crime is tight and clever, another good story of Batman as detective. I love a good short comic story, and I hope each issue can provide just as many good shorts.





Muppets #4
Story & Art: Roger Langridge

And this is it: the final Muppets story from Roger Langridge. The issue is the perfect coda to everything Langridge has done with the Muppets, mixing classic bits with the warm heart that he puts into his work and fits so beautifully with the Muppets. It's Christmas at the Muppets Theater, and Miss Piggy wants a kiss and a ring from Kermit, and is trying to find him the best Christmas present possible. Gonzo's latest stunt has destroyed the Theater's new fridge. And a wild Christmas Pudding is on the loose. Mix that in with a Pigs in Space and a Swedish Chef, and you get some perfect Muppet chaos. I am going to miss Langridge in these characters, and with the end of Snarked as well, I just have to keep my ear to the ground for whatever is next from him. I know I won't be disappointed.





Uncanny X-Men #19
Story: Kieron Gillen 
Art: Dale Eaglesham

In the same week we get the end of Avengers Vs. X-Men, an issue I had a lot of problems with, we get this gem, "The Passion of Scott Summers." The issue is a travel through Scott's mind, covering the same period of time as the last two issues of Avengers Vs. X-Men. it's chilling to watch Scott fight with the Phoenix Force, to try his best to stay master of it, and fail so utterly. Memories of his life, of the times the Phoenix has effected him, dance through his mind as he fights the assembled Avengers and X-Men. He's not a completely mad monster, but a man who was trying to do what he truly believed was best and has been corrupted by something outside himself; the road to Scott's hell has been paved with good intentions. In the end it is his contact with the Phoenix Force, and with apparently Jean Grey's spirit, plus his own pain, that stops him long enough for Hope to finally put a stop to all this. In the end, when he finds out that new mutants are being born, he feels like he has done what was right, that the ends have justified the means. That is not to say he does not have regrets; the look of pain on his face as he realizes he has killed Charles Xavier is poignant. But he has done what he has set out to do, and he will take responsibility for the end results. Dale Eaglesham does a tremendous job mixing the chaos of the Phoenix battle with Scott's more pleasant memories. The final scene, between Scott and the Beast is written beautifully, but Eaglesham puts the right touches to it to really make it pop off the page. My final note on this issue, and the whole event, is something I'm borrowing from Comics Alliance. I hope someone makes these shirts, because I'll be first in line to buy them.


Thursday, September 6, 2012

In Defense of Cyclops



Cyclops, Scott Summers, has always been my favorite member of the X-Men. There was a time in the 90s when everyone was all about Wolverine, Gambit, and Bishop; and me? Cyclops.While in recent years he has gotten a higher profile and a better rep, thanks to top writers like Grant Morrison and Joss Whedon really liking the character and putting him out as not just field leader of the X-Men but as the leader of a mutant nation, he is still a character that I find people often misunderstand. Especially with Avengers Vs. X-Men, and the latter half painting him very much with the villain brush, I wanted to go back, talk about the good aspects of the character, and highlight a few of my favorite Cyclops stories.

Most characters who are the leaders of their respective teams have certain traits that make them stand out from the crowd and the team, aside from their leadership. Mr. Fantastic is the world's smartest man. Captain America is the noble, selfless hero who stands for America. Nightwing is looking to get out from under Batman's shadow. But Cyclops's defining characteristic is that he is the leader of the X-Men, both from a literary standpoint and in the way the character is written to think about himself. What this does is make the majority of Cyclops stories depend on the X-Men being there for him to lead, or struggle against. While there can be solo Cyclops stories, and they can be good stories (and I'll discuss a few of them later), when a character is known as the leader of a team, it kind of hamstrings him as a solo character. I think this has been part of the problem with readers views of Cyclops over the years, as readers see him as dull and predictable. He needs to be dependable, since that's what he's been built to do.

This is not to say that being the leader of the team as the defining character is a bad thing. It makes for a very interesting dynamic when with the X-Men. Cyclops has a specific relationship with his teammates because what he does is lead the team. The classic adversarial relationship with Wolverine would not be as powerful if Cyclops didn't believe holding the X-Men, and in recent years the entire mutant race, together was what he had to do. In recent years, Cyclops has sacrificed close friendships because of this drive, and that adds a depth to the character that is more than just him being a stiff, totalitarian ass.

Now, I've also seen comments that other than being stiff and dull as a character, Cyclops is so flawed that he is unlikable. I can see two major character flaws in him, and I think those actually make for a very interesting character. The first is his almost crippling self doubt. Over the years, Cyclops has been portrayed as never feeling he was good enough, or living up to Xavier's dream. That struggle is truly part of the character, and would require a major shift in the character. This actually happened after "Messiah Complex" and a lot of the voices that were against a wishy washy Cyclops now pointed out that he was too driven and focused, to the point of obsession and insanity, or at least fascism. In X-Men: Legacy #260, Mike Carey (who wrote a great Cyclops, and who I wish wrote him more) wrote a scene where Rogue talks to Cyclops about leaving Utopia for Westchester. She points out that, to push the self doubt down, he had to sort of choose a stance that all his decisions were right, and to not doubt himself at all. While not a good character trait, it's something different, which there's not many X characters who have gone through that kind of change.




Cyclops's other major fault is, well, that he has a really bad track record with women. There's no real defense here. There's something in the way he's been written over the years that doesn't allow him to be single, and has him hopping from one woman to another, desperate for love. Most stories away from the X-Men have Scott teamed with his long time love, Jean Grey, but with Jean's fairly casual relationship with life, and her recurring visits with death, there's been plenty of room for Scott to play the field. And boy has he ever. Every time he thinks Jean Grey is dead, or she actually is, he immediately hooks up with someone else. When he thought she died in the Savage Land, he got together with Colleen Wing fast. After she died in The Dark Phoenix Saga, he was hanging out with Lee Forrester almost immediately. And after her, he was single for less than two years real time before he met Madelyne Pryor. And the least said about marrying the clone of your dead ex-girlfriend the better. Then there's the return of Jean, the marriage, and the whole Emma Frost thing. This strikes me almost a tragic flaw territory, this need to be loved, and can easily be linked psychologically to the fact that he was raised in an orphanage run by an insane, immortal mad scientist, and thus having abandonment issues. Ah, yes, Comics, Everybody! (There's no comic strip for Cyclops in this collection of weird character histories, but there probably should be)

Now, I want to actually talk very specifically about the Utopia-era Cyclops, and the current Avengers Vs. X-Men series. These are the stories, and the responses that have made me want to write something defending Cyclops's actions. When Scott took over the X-Men, moved them out to an island, and kind of declared himself ruler of said island, it raised some eyebrows. And his more militaristic stance is uncomfortable at times. I do see Wolverine's point, that kids should be allowed to be kids. But Cyclops also has a valid point, that these kids need to be able to defend themselves, since so many of their friends are, well, dead. And I feel the comparisons to Magneto are invalid. Cyclops never once declared himself and mutants above humanity. He never tried to cut Utopia off from the mainland. He was trying to create a refuge, but not a prison (well except for the prisoners, but they were pretty much all mutant criminals). He also sent teams out into San Francisco to try to help the city. Magneto sat around at a Brotherhood meeting and said, "OK, Toad and Blob, it's your turn to go out and watch over Mount Wundagore's human population." Cyclops was doing things far more hardnosed than many superheroes do, no arguement, but he never was a supervillain. I will add, though, to acknowledge a fault, that calling your squad of heavy hotters the Extinction Team is probably a little more threatening than you need.

Now, on to Avengers Vs. X-Men. I haven't written much about the series since, frankly, I haven't been enjoying it all that much, although some of the titles crossing over into it have been great. But I want to point out some things. The general response on-line I have seen recently is that Cyclops started it, he should have just listened to Captain America to begin with, and now that he's all Phoenix powered, he's been a Dark Phoenix in waiting all along.

Firstly, I don't see how Cyclops started this whole mess. He might have fired the first literal shot, but Captain America showed up with a Helicarrier full of every Avenger under the sun. He pretty much went in there not willing to really talk about anything. He had been told by Wolverine that Cyclops wouldn't hand over the person he believes was the savior of all mutant kind, and who also happens to be his granddaughter, just because Cap says the Phoenix is coming. I think no one has really addressed Cyclops's emotional ties to Hope, which I find odd. This girl was raised by his son, who had to make a similar choice that he himself did. His son died to save her. Maybe part of what's going on here is him not wanting to believe everything Cable died for was in vain, which is why he's been so protective of her from the beginning. And sure, Cable came back right before this, and was a little crazy, but the Avengers were pretty hard on everyone there too. And it's not like the Avengers have a great history protecting mutants. Scarlet Witch went bad on their watch, and remember how that ended? No More Mutants. And the Avengers work for the US government, who never tried to create an army of giant robots with the sole purpose of destroying mutants. Oh, wait, yes they did. I don't know if I'd trust them either.

Now, yes, I can't argue that by the last issue of Avengers Vs. X-Men, the Phoenix force hasn't started to corrupt Cyclops. But before that, what had he done? He saved the world. There's a sort of conceit that is accepted as part of superhero comics, that when you have characters with such powers, they can't just fix things, because then there's not much of a story. You'd have a Marvel universe with everyone wearing unstable molecule clothes and driving around in repulsor cars. But when a character is presented with these kind of powers, and does something good with them, like feed the hungry, clothe the poor, and the like, there's nothing inherently evil there. The only dictum Cyclops seemed to lay down to the UN and the world was, "Don't build any more weapons." Frankly, does anyone think the world would be a worse place if everyone had to lay down their guns? His decision to send the X-Men after the Avengers, not to kill them, but to take them off the board until things were right with the world, is harsh, and does have the same problems that Cap showing up ready to fight does. But they continued to come in and try to take Hope. Eventually, she did want to go, and he wouldn't let her, and that is the slippery slope of Phoenix-powered crazy that has been part of the last third of Avengers Vs. X-Men, but you could easily argue he was provoked by the Avengers continually not wanting to talk and just coming in guns blazing over and over.

I've spent most of this piece defending Cyclops against things I've read that say what a lousy character he is, or what a villain he is, but I haven't said what I really like about him. I think that a character who is dependable, who is capable and competent, is something to be looked well on. I think, despite the whole mess with Madelyne Pryor, Cyclops does love his family, no matter how time tossed or alternate universe related they might be. I think he's tough, and a good leader. Also, for all the mistakes he made pre-Utopia, he owned up to them and tried to make amends. These are all traits that make a good man, and an interesting character to read about.

As I close this out, I want to give a quick rundown of some of my favorite Cyclops stories, ones that might makes some naysayers look at him twice.



The Dark Phoenix Saga- This is one everyone has read, but look at the Cyclops aspect of the story. This is a guy who is willing to do anything to save the woman he loves.

Endgame- This was the original X-Factor's final battle with Apocalypse. In it, Scott leads the team to defeat their deadliest foe, and to save his son, Nathan, who has been kidnapped by the villain. In the end, although the good guys beat Apocalypse, they don't win. Scott is presented with a choice: send his son to the far future to save him from the techno-organic virus that he has been infected with, or keep him here and see him probably die. The choice is heartbreaking, and powerful one for Scott. Sadly, this has never been collected

The Wedding of Cyclops and Phoenix- This is just a great story, where you get to see Scott interact with his fellow X-Men, especially the other originals and Professor X, see him and Jean happy, and get one of those great superhero wedding stories. Marvel is going to be releasing a trade pretty soon of all the stories leading up to the issue and the wedding itself, and it's worth picking up.
Adventures of Cyclops & Phoenix/Further Adventures of Cyclops and Phoenix- Two time travel stories, the first features Cyclops and Jean Grey in the distant future, raising a young Cable, the son Cyclops sent into the future. Again, this is a good family story, of Scott raising his son, and living for 14 years as a family in the future. The second story has Scott and Jean displaced to the past and witnessing the birth of Mister Sinister, the villain who has dogged his life since he was a young child. Cyclops actively chooses to try to redeem the nascent Sinister, to save Nathaniel Essex from becoming the monster he would, instead of just killing him. Trades for this story are out of print, but you can still find them, or the back issues at shops or cons.

Unstoppable- The final arc of Joss Whedon's run on Astonishing X-Men, this is the story that completes the evolution started in Grant Morrison's run (a good Cyclops run, but not one with any stand out issue. Still, you should read it). Cyclops, finally, if briefly, in control of his powers, leads the team to an alien world, and six X-Men, one agent of SWORD, and a few rebels, pretty much defeat the whole culture. While Colossus and Kitty get a good spotlight in here as well, I love Scott's leadership, and the interplay between him and current love interest Emma Frost. This is collected in it's own trade, plus in the Whedon omnibus.