I’m not giving anyone any new information by saying Jack
Kirby was an amazing innovator. I could fill
an
entire sentence with
hyperlinks to pages extolling
his virtue.
But there’s a specific stretch of Kirby Krazy that I cherish
above all others: his mid-1970s run on Captain America, just in time for our
nation’s bicentennial.
Kirby returned to Cap – he co-created the character with Joe
Simon in 1941 – after spending several years away from Marvel at DC, where he
introduced the New Gods, the Demon Etrigan, OMAC the One Man Army Corps, and
Kamandi the Last Boy on Earth. His ’70s Marvel creations included the Eternals,
the Celestials, Devil Dinosaur, and Machine Man.
The King was pretty much given free rein on Cap. Under the
credits he is listed as writer, penciller and editor. Marv Wolfman is listed as
a consulting editor, and later Archie Goodwin is listed as just plain
“Admirin’.”
The King’s greatest contribution to the Cap mythos in this
two-year run was Arnim Zola, the mad Swiss biogeneticist whose face is in his
stomach. Zola has remained one of Cap’s most prominent villains. Cap’s current
writer, Rick Remender, used the character in his very first arc, establishing a
dimension where Zola ruled supreme over a kingdom of mutated creatures and bore
a human son and daughter. No disrespect to John Romita Jr., who drew those
first issues with a clear and present nod to Kirby, but it’s a hard to compete
with those early Zola monsters, among them a flying glob of organic matter
named Doughboy, a walking pair of giant ears with eyes, and a robot with
Hitler’s brain just waiting to have Steve Rogers’ face plastered onto it.
Kirby’s run, for the most part, can be broken down into
three long arcs: The Madbomb conspiracy, The Night People, and The Swine/Zola.
Each finds Steve Rogers confronting one threat only to be thrown headlong into
the next, larger, more fantastic threat.
Here’s a short list of some of the things Kirby had Cap
confront:
-An Eastern-mystic mishmash named Mister Buda who sends Cap
on a journey through U.S. history to show him “the real America,” which it
turns out is in the hearts of children, or something
-A bomb that drives people mad, powered by a simulated brain
-Secretary of State Henry Kissinger, who puts Cap and Falcon
through an obstacle course to verify their identities and test their mettle
before debriefing them on the Madbomb
-The Royalist Forces of America: A group that wants to destroy
the Bill of Rights to return America to pre-Revolutionary times. Their leader,
the descendant of a British loyalist, blames an ancestor of Steve Rogers for
the death of his ancestor in a duel, in the ultimate example of, “My dad can
beat up your dad.” Also they kept mutated freaks as slaves.
-Deadly skateboard derby (This was the ’70s, after all, and
the original Rollerball had just come
out the year before.)
-Vagrants from another dimension who come to ours to steal
junk at midnight
-A Central American dictator who runs a labor camp and has a
creepy relationship with his voluptuous, halter-top wearing cousin
-A perfection-obsessed hired killer named the Night Flyer
who gets around via teched-out hang-glider
-A pair of symbiotic mutants named Mister One and Mister
Two. Mister One was extremely tiny and lived inside a wristwatch. Mister Two was
an ogre.
-Old-school crazy, nuance-less Magneto’s lesser Brotherhood
of Evil Mutants, comprised of Peeper, Lifter, Burner, and Slither (Kirby didn’t
really get mutants, and he created them)
All this happened during the period when the title of the
book was Captain America and The Falcon.
Steve Rogers and Sam Wilson’s bond is one of my favorite things about Captain
America. Cap’s story and uniform make him this deified personification of
American exceptionalism. Most of the Avengers have, at some point, been written
as having been in awe of him. But Steve Rogers and Sam Wilson are legitimate
friends. There’s no sidekick treatment, no scenes of Cap making the Falcon run
obstacle courses or teaching him lessons about what it means to be a hero
through pain and difficult choices. Instead, they go on double dates with their
special gals and arm-wrestle between missions like they’d just watched Over the Top for the first time
(although that movie would not exist for another 10 years).
Speaking of special gals, among the supporting cast were
Wilson’s girlfriend, Leila, and then-ex-SHIELD Agent Sharon Carter, who just
wanted Steve to settle down and make a life with her. Kirby wrote Sharon as a
far wetter blanket than she’s depicted as in modern comics. Then again, she
does hold the Red Skull at gunpoint for an entire issue, so she didn’t spend
the entire run as a fainting damsel.
At the same time, there are few points during the run when
Steve seems to forget he’s in a relationship. Both the Madbomb and Zola
storylines find him paired with other women. The first one – a sickly woman
connected to the Madbomb conspirators – he appears to develop feelings for, the
second one – the Swine’s cousin Donna Maria – he stammers over a bit but ultimately
declines.
Additionally, Kirby’s characters have a strange habit of magically
realizing plot points that weren’t revealed to them. In issue 193, Cap sees a tiny
gadget wedged in an alley during the chaos of the first Madbomb and “senses” it’s
the source of all the commotion. In 198, Cap breaks into a scientist’s house on
a recon mission and ends up in the room of the scientist’s bed-ridden daughter,
who automatically rules out Cap being a burglar, solely because he’s dressed
like a roadside firecracker. The next day, he approaches her on the beach in
his civilian togs riding a horse he took from the local riding academy, and she
assumes – flat-out knows – it’s the same guy.
Kirby’s run also introduces Army General Argyle Fist, which
may be my favorite character name ever. Fist spends the Madbomb arc scouring
the Western badlands looking for Cap and the Falcon using a drilling machine
called Hound-dog. If only he know what Cap realized right away, that an entire
underground civilization of faux-British loyalists was hidden under a few foam
rubber boulders like a Hide-A-Key left out for a neighbor to bring in the mail.
My other favorite Kirby Cap character would have to be Texas
Jack Muldoon, a cowboy hat-wearing, lasso-wielding stereotype who aids Cap and
the Falcon during the Night People story. If the Rich Texan from The Simpsons lost weight, it’d be the
exact same guy. Yee-haw!
Jack Kirby’s 1970s Captain America run is available as a
hardcover, full-color omnibus, or, if that’s a bit price-prohibitive, you could
buy the black-and-white Essential Captain America Vols. 5 and 6, which include
the Kirby run plus a few issues immediately before and after.
Dan Grote has been a
Matt Signal contributor since 2014 and friends with Matt since there were four
Supermen and two Psylockes. His two novels, My Evil Twin and I and Of Robots, God and Government, are available on Amazon.
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